Carmen Ghia headroom

The Torpedo Captor is an easy to use reactive Loadbox perfect for unleashing your favorite tube amp in a variety of modern applications and venues. If you just require attenuation from your amp to your cab, Captor has you covered. The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love! Everything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night. Torpedo Captor was designed to cover the needs of direct recording or miking any kind of guitar or bass amp, in a live or studio situation.

Hearing still

But they do change the way your Blues Junior moves air and the tones that get emphasized. It should be your last mod, not your first. See the bottom of the page for easy instructions on how to change the speaker. Fender Special Design stock speaker This is the stock speaker in all black and blonde Tolex Blues Juniors and old green board tweeds. Many people decide to leave it alone after they do the mods. One surprising new observation about the stock speaker:

In , long before any guitar speakers or “Greenbacks” were ever made, British Rola bought Celestion and the resulting company was known as ‘Rola Celestion Ltd.’ Very Late in the company expanded and opened a second factory in Ipswich Suffolk named the Ditton Works.

Email Value For Money: This is my personal favorite speaker. It brings a great presence in all circumstabces and acoustic condition, with either one or 3 guitars in the band. Some will find it too “surgical-sounding”. It’s the exact opposite of a V Lows are less protruding and flattering as it seems As a consequence, when the volume gets up, the sound remains accurate.

To avoid for metal? If you like old-school heavy, this is a must have.

Wie alt ist mein Marshall? Seriennummern & Datierungshilfen

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Mon Aug 05, 4: Mon Jan 24, 4: South of Heaven ifailedshapes wrote: I’m not chasing bright tone. I’m chasing warm, but not muddy, tone. My guitar is a maple neck Strat with all singles, and that guitar combined with the stock Stiletto is super ice pick bright. I’m really looking for a speaker that rolls off the highs, not a speaker that extends the highs. Dont mistake bright for extended highs. The pronounced upper mid area is where the ice pick and sizzle is comming from with the V Creambacks are much more tame in that area and can sound warmer, yet have more air.

The Boogie Board

Not all features are options are listed here; this is just a quick-reference guide. Solid State or Tube? Early Carvin amplifiers like all other amps of the era were tube-drive models, in combo configurations with 1, 2 or 4 speakers.

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October 13, , My name is Shaun, I live in Durban and I’m a guitarist who has a budding interest in valve electronics, particularly guitar amps. I’m still very much a beginner, having only completed 2 projects, my first being the restoration of a Marshall 50w guitar amp, and my second being the building of a clone of a particularly famous boutique guitar amplifier called a Trainwreck Express. When it comes to HiFi amps, I have zero knowledge and I don’t believe at this stage I have the time or inclination to branch out either.

So what am I doing here then, you ask? Well its about those glowing bottles we all share a love for. A couple of months ago, I blindly bought several boxes of valves from the daughter of an old gent who was into electronics, HAM radio etc. He was very old and too frail to continue with his hobby and his daughter was trying to tidy out his garage. When the stuff arrived and I opened the 3 large boxes, there were literally hundreds and hundreds of valves. There were enough of the few kinds I was hoping to get, but many other kinds of audio valves I have no use for at this stage, given I was just looking for some extras to keep my 3 amps going with a good supply.

Having spent some time sorting and researching many of the ones I know nothing about, it became clear that many of them are used by guys like you in HiFi amps. I’d also much rather that these tubes get out there and get used instead of gathering dust, which is why I registered here. Unfortunately the classifieds doesn’t permit people to post ad’s before getting to 50 posts, which I am unlikely to do, given HiFi is not my interest.

Guitar & Bass 2014-06

If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size. People are raving about these things as a way to recreate that vintage tape delay in a small stomp box.

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I just cut out everything. I spend as little on clothes as possible. You can see from the numbers above that once I was introduced to Grant, my savings rate went through the roof and increased quite dramatically! I could decide to save even more over time. I would then have enough savings in the bank to pay for years of my expenses.

I estimated my FIRE number 25 x my expenses: Once I hit that or a certain number in liquid savings, I will then re-evaluate my situation.

Vintage Marshall Cabinet

I love the tailpiece and the fixed adjustable bridge probably helps quite a bit though it lowers the collectible value. These are not heavily collected so it is really a matter of taste but I personally like the look and construction of this guitar quite a bit. Seller says that he is the original owner and I don’t see any reason not to believe him.

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Can you help me understand more about tube substitution particularly the dangers to life and equipment? Originally posted by rickystratcat: Hi Myles,one of the posts that got missed was mine. Sorry I missed your post. I have written a bit on this before, so you may want to look at some of my other posts, maybe the one on the 12AX7LP. Basically, as long as your amp is not opened up to the innards of the chassis, there is not too much exposed high voltage.

You can swap preamp tubes all around with no danger to the equipment or yourself. There is no adjustment necessary either. A 12AT7 will give less gain than a AX Some folks prefer the late SRV tube in the first gain stage. If you have other questions, just drop a post here, but first look around on my webpage as this is covered in a few spots.

I went to your website and looked around again I had been there before but I went back in case I missed what I was looking for. Checked out your son’s site too. I think it’s great.

Understanding when a guy doesn’t like you

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I tried to explain that I would not have renewed in Feb if the account wasn t going to expire until April.

Dec 18,  · I have a Carvin Legacy w/greenbacks and a Carvin Legacy w/V30’s and the V/30’s definately have more of a midrange hump. I play my JSX between the two with the same EQ and the greenbacks sound scooped compared to the V/30’s.

Should you disagree, which is your right, just get used to the idea that you’re wrong and we’ll get along fine. So many amps, so little time Visual Sound founder Bob Weil on the 1 SPOT Serious rock music was perceived as being so far beyond the normal human experience that fans eagerly embraced the notion that it was created, played and best enjoyed on drugs. Enter the drug culture and psychedelic rock Attitude, altitude, and it don’t always pay so good. Now, Webb is no Elvis, but he is from Hattiesburg, Mississippi, which counts for something a northerner may never understand.

Work on what you can do, and don’t worry so much about what doesn’t come naturally. Try working on that. He is also a hopeless tonefreak

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Album — Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late s through to the s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places.

Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones.

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They are also very collectable due to their association with old 60’s amplifiers mainly Marshall , and guitar icons such as Jimi Hendrix and Eric Clapton that were using them back in the day. For a good tonal comparison between various greenback type speakers I can highly recommend listening to this recording by George Metropoulous: However, a lot of people seem to be confused about what the term ‘pre-rola’ actually means, and what a pre-rola speaker is.

The British Rola Company Ltd – established in Celestion Ltd – established in Both were based in UK, and making very similar speaker products throughout the ‘s and ‘s. In , long before any guitar speakers or “greenbacks” were ever made, British Rola bought Celestion and the resulting company was known as ‘Rola Celestion Ltd’.

In , as a consolidation of the two companies, Celestion closed production at their factory in Kingston-Upon-Thames and joined British Rola at the Ferry Works factory in Thames Ditton. In production gradually came to a close at Thames Ditton, with all production from then onwards done at Ipswich. The term ‘pre-rola’ was invented by guitar players.

It refers to a period of time when Celestion were using a certain type of label on their greenback speakers. These labels came before the ones with ‘Rola Ipswich’ written on them, so guitar players called them ‘Pre-Rola’ labels to differentiate between them. A typical ‘pre-rola’ label.

HAL LEONARD

Share Let me begin by showing you a few shots of this guitar. Few have seen it yet click on the images to see them at full resolution. This specific guitar has an incredible history with stories….

Mar 26,  · I’ve also played on every version of the AC, and most boutique copies of it. A big factor is the speakers and tubes. I think a big cause of failure amongst Vox amps is the fact that the EL’s are slammed with voltage, and when a tube fails, something else burns up.

Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas. Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff.

It sounds great with either bass and guitar, providing a clean and loud tone. Works great in large club settings. Front panel has two input jacks, controls for treble boost, volume, treble expander, treble, bass expander, bass, presence, and bass boost. There is also a standby switch and corresponding green and red pilot lights. There are no effects in this head, but stomp boxes work just fine. The front of the amp is wrapped in a Fender-style silver-face cloth [ There is also a cooling fan installed.

With tubes, you’ll get about W from the Custom Special.

G12M Greenbacks vs V30 Speakers


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